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El kamasutra de Pídeme lo que quieras Cita 1. De espectadora Cita 2. La luz naranja La caricia de El kamasutr Vocal Real Book (with lyrics).pdf. Kama-Sutra-photo-book - Free download as PDF File .pdf), Text File .txt) or read online for free. free download hindi sex book Google Page 1. Files Name Kamsutra In Hindi Book With PhotoPDFKAMSUTRA IN HINDI BOOK WITH PHOTO PDF FREE DOWNLOAD Download: Kamsutra In Hindi Book.
In order to read Kamasutra Hindi Book, click on the download link given below. Download the book from here. Your email address will not be published. Notify me of follow-up comments by email. Notify me of new posts by email. Leave a Reply Cancel reply Your email address will not be published. Search Book Title Search for: Like Us in Facebook. The sage Vatsya was of this opinion, or of that opinion. The sage Vatsya said this, and so on.
Naturally questions were asked who the sage was, and the pundits replied that Vatsya was the author of the standard work on love in Sanscrit literature, that no Sanscrit library was complete without his work, and that it was most difficult now to obtain in its entire state.
The copy of the manuscript obtained in Bombay was defective, and so the pundits wrote to Benares, Calcutta and Jeypoor for copies of the manuscript from Sanscrit libraries in those places. Copies having been obtained, they were then compared with each other, and with the aid of a Commentary called 'Jayamangla' a revised copy of the entire manuscript was prepared, and from this copy the English translation was made.
The following is the certificate of the chief pundit: 'The accompanying manuscript is corrected by me after comparing four different copies of the work. I had the assistance of a Commentary called "Jayamangla" for correcting the portion in the first five parts, but found great difficulty in correcting the remaining portion, because, with the exception of one copy thereof which was tolerably correct, all the other copies I had were far too incorrect.
However, I took that portion as correct in which the majority of the copies agreed with each other. The whole consists of seven parts, thirty-six chapters, and sixty-four paragraphs.
Hardly anything is known about the author. The last four are forms of embrace recommended by Vatsyayana to increase pleasure during foreplay and during sexual intimacy.
Vatsyayana cites earlier — now lost — Indian texts from the Babhraya's school, for these eight categories of embraces. The various forms of intimacy reflect the intent and provide means to engage a combination of senses for pleasure.
For instance, according to Vatsyayana the lalatika form enables both to feel each other and allows the man to visually appreciate "the full beauty of the female form", states S.
The territory of the text extends only so far as men have dull appetites; but when the wheel of sexual ecstasy is in full motion, there is no textbook at all, and no order.
Vatsyayana also mentions variations in kissing cultures in different parts of ancient India. During sex, the text recommends going with the flow and mirroring with abhiyoga and samprayoga.
It also explains the signs and reasons a woman wants to enter into an adulterous relationship and when she does not want to commit adultery. It shows a "near total disregard of class varna and caste jati ", states Doniger. In the pages of the Kamasutra, lovers are "not upper-class" but they "must be rich" enough to dress well, pursue social leisure activities, download gifts and surprise the lover.
In the rare mention of caste found in the text, it is about a man finding his legal wife and the advice that humorous stories to seduce a woman should be about "other virgins of same jati caste ". In general, the text describes sexual activity between men and women across class and caste, both in urban and rural settings. In Redeeming the Kamasutra, Doniger states that "the Kamasutra departs from the dharmic view of homosexuality in significant ways", where the term kliba appears.
In contemporary translations, this has been inaccurately rendered as "eunuch" — or, a castrated man in a harem, [note 1] a practice that started in India after the arrival of Turkish Sultans. The Kamasutra does not use the pejorative term kliba at all, but speaks instead of a "third nature" or, in the sexual behavior context as the "third sexuality".
In one of the longest consecutive sets of verses describing a sexual act, the Kamasutra describes fellatio technique between a man dressed like a woman performing fellatio on another man.
The historical records suggest that the Kamasutra was a well-known and popular text in Indian history, states Wendy Doniger. This popularity through the Mughal Empire era is confirmed by its regional translations.
The Mughals, states Doniger, had "commissioned lavishly illustrated Persian and Sanskrit Kamasutra manuscripts". He did not translate it, but did edit it to suit the Victorian British attitudes. The unedited translation was produced by the Indian scholar Bhagwan Lal Indraji with the assistance of a student Shivaram Parshuram Bhide, under the guidance of Burton's friend, the Indian civil servant Forster Fitzgerald Arbuthnot.