The Mozart Conspiracy: A Novel. Home · The Mozart Conspiracy: A Novel Author: Scott Mariani DOWNLOAD EPUB · The Mozart Conspiracy. Read more . KLEINE BIBLIOTHEK DES WISSENS LUX-LESEBOGEN NATUR- UND KULTURKUNDLICHE OTTO HEFTE ZIERER MOZART GLÜCK UND TRA. [PDF] Download The Mozart Conspiracy (Ben Hope, Book 2) Kindle|Ebook|PDF Click button below to download or read this book. Description.
|Language:||English, Spanish, French|
|Genre:||Politics & Laws|
|Distribution:||Free* [*Registration Required]|
The Mozart Conspiracy (Ben Hope): osakeya.info: Scott Overall though, The Mozart Conspiracy is a really engrossing story, told at a relentless pace and it. The Mozart Conspiracy: A Novel (Ben Hope Thriller) and millions of other books Free download or read online The Mozart Conspiracy pdf (ePUB) (Ben Hope. the mozart conspiracy pdf. The composer Wolfgang Amadeus Mozart died on 5 December at the age of The circumstances of his death have attracted.
But ultimately, the good bits were good and I'm happy to carry on to the next one. I enjoyed this novel, although even now I'm not quite sure whether I'm a fan of its ending.
While there is a certain degree of 'action' formula to this and a couple of instances of smart people doing dumb things , the writing style flows well and is quick to escape into if you know what I mean. I was particularly intrigued to read the author's end notes and casting 'ideals' as in movie actors who could play the characters. Is a good blend for those who like a mystery and also are classical I enjoyed this novel, although even now I'm not quite sure whether I'm a fan of its ending.
Is a good blend for those who like a mystery and also are classical music lovers Jan 24, Laura rated it did not like it. This purportedly Dan-Brown-esque expose of Freemasonry contains very little of either Mozart or conspiracy; it reads almost like a parody of the genre.
There are bodies everywhere, most the result of some very creative and gory misbehavior. The bad guys can find you anywhere, using amazing technology, and will then mow you down with never-empty automatic weapons - unless of course you are Our Hero, in which case you can duck pretty much anything. Don't bother reading this totally improbable nove This purportedly Dan-Brown-esque expose of Freemasonry contains very little of either Mozart or conspiracy; it reads almost like a parody of the genre.
Don't bother reading this totally improbable novel. I finished it only to see if it could get worse. Oct 01, Charlee rated it did not like it Recommends it for: This was a Truly Bad Book. I admit to reading near-drivel for lack of anything better, but this was beyond the pale. I like a good conspiracy thriller, even if it's drivel-y. It's like watching B or even C movies - they do have a certain entertainment value and don't require much mental effort a frequent plus for my tired brain.
I was looking forward to a bit of Mozart pseudo-history and some tense car-chase-esque scenes. The dialog was crap, the plot was virtually nonexistent and the endi This was a Truly Bad Book. The dialog was crap, the plot was virtually nonexistent and the ending was a silly whimper.
Glad I got it from the library. Don't waste your time. I had been intrigued by the Mozart element, but the book really didn't touch on Mozart that much. Dec 24, Joe Geesin rated it really liked it. Daniel Craig's got nothing on this guy. Sep 17, Andi rated it really liked it. Too little story, too little history. This was a good book, but it could have been great. The author messed up the ending. He should have ended the story 30 pages sooner. May 13, Razvan Banciu rated it it was ok. A promising title, quite a good start but a big disappointment, as the book contains many things I truly dislike from a thriller: So, two stars from five are a more than decent mark, as I've met poorer books.
Ian and Annie's audio collection. Great book to listen to while jigsaw puzzling - overly graphic descriptions of ritual death by Masons consolidating their business positions. Would have preferred a happy ever after ending. Ben Hope ex SAS now rescuing hostages, friend of Oliver Llewelyn who observes a slaughter and is then made to walk out on the ice which is then shot beneath him so he drowns.
He's videoed the murder and sent it to his sister Lee, a famous opera singer. A year later an attempted kidnap is made and she calls Be Great book to listen to while jigsaw puzzling - overly graphic descriptions of ritual death by Masons consolidating their business positions. A year later an attempted kidnap is made and she calls Ben who 15 years earlier had left her Krill is shot by his mistress Eve who loathes him and is owned by him and later by Ben.
They think Glass has died in the helicopter and Lee in the mountains of Slovenia. A good opera singer can hold her breath and not blink long enough to convince a gunman huh? I've read a lot of thriller-suspense books with the historical bent from the likes of Brown, Berry, Khoury and company, so I picked this up for a holiday read.
I wasn't familiar with this author or the series.
I was disappointed in a few different ways. I had several issues, many of which were brought up by other reviewers. Mostly, the story went on too long without enough reason for doing so.
I also expected more historical reference, instead it was a back-drop with no historical story to be tol I've read a lot of thriller-suspense books with the historical bent from the likes of Brown, Berry, Khoury and company, so I picked this up for a holiday read. I also expected more historical reference, instead it was a back-drop with no historical story to be told. The dialogue lacked at many times.
And before getting too nit-picky, there were simply big gaps in the story that couldn't be explained such as the assault on the monastery or Hope being 'saved' by 'Ingrid'. I enjoy this genre and feel that I often give a good amount of leeway, but with this book I couldn't get past too many compounding problems to rate it any higher. Aug 11, John L rated it did not like it. If your idea of action, excitement, and quality literature is: Then you will most certainly enjoy this gruesome, perverted bloodbath!
An entertaining and readable thriller. It's interesting to see how much better this one is than the first in the series. It's a steep learning curve. Having already read some of the later volumes I know he does get much better.
All the elements are in place here and it just needs tightening up a bit. The prominence given to the love interest, for example, and the scenes with the cute kid are just a bit to Hollywood. We literally do not care and in later novels Mariani has worked out that we want An entertaining and readable thriller.
We literally do not care and in later novels Mariani has worked out that we want scenes of extreme violence told in an amusing way, of which there are plenty here. However, many of the wonderful things that these geniuses did were the result of relatively simple devices and we can all take advantage of that by finding out the details of these devices.
The first step towards understanding his formula is to be able to analyze his repetitions. They are not simple repetitions; Mozart used his genius to modify and disguise the repetitions so that they produced music and so that the repetitions will not be recognized.
Thus the first part consists of 9 notes since everyone knows this melody, you can try this out in your mind. The repetition is an answer in a female voice because the pitch is higher, and is again two notes, this time a sweeter minor third apart, repeated you guessed it!
It is an answer because the last three notes wiggle down. Again, the total is 9 notes. The efficiency with which he created this construct is amazing. What is even more incredible is how he disguises the repetition so that when you listen to the whole thing, you would not think of it as a repetition. Practically all of his music can be analyzed in this way; needless to say, the rest of the Nachtmusik and practically all of his compositions follows the same pattern.
The basic unit of the beginning theme is a quarter note followed by an eighth note. The first introduction of this unit in bar 1 is disguised by the addition of the 16th note.
This introduction is followed by the basic unit, completing bar 1. Thus in the first bar, the unit is repeated twice. He then translates the whole double unit of the 1st bar down in pitch and creates bar 2.
The 3rd bar is the basic unit repeated twice. In the 4th bar, he again disguises the first unit by use of 16th notes. Bars 1 to 4 are then repeated with minor modifications in bars From a structural viewpoint, every one of the first 8 bars is patterned after the 1st bar. From a melodic point of view, these 8 bars produce two long melodies with similar beginnings but different endings.
Since the whole 8 bars is repeated, he has basically multiplied his initial idea embodied in the 1st bar by 16! If you think in terms of the basic unit, he has multiplied it by But then he goes on to take this basic unit and creates incredible variations to produce the first part of the sonata, so the final multiplication factor is even larger.
He uses repetitions of repetitions. By stringing the repetitions of modified units, he creates music that sounds like a long melody, until it is broken up into its components. In the 2nd half of this exposition, he introduces new modifications to the basic unit. In bar 10, he first adds an ornament with melodic value to disguise the repetition and then introduces another modification by playing the basic unit as a triplet.
Once the triplet is introduced, it is repeated twice in bar Bar 12 is similar to bar 4; it is a repetition of the basic unit, but structured in such a way as to act as a conjunction between the preceding 3 related bars and the following 3 related bars. Thus bars 9 to 16 are similar to bars 1 to 8, but with a different musical idea. The final 2 bars 17 and 18 provide the ending to the exposition. With these analyses as examples, you should now be able to dissect the remainder of this piece.
You will find that the same pattern of repetitions is found throughout the entire piece. As you analyze more of his music you will need to include more complexities; he may repeat 3 or even 4 times, and mix in other modifications to hide the repetitions.
He is a master of disguise; the repetitions and other structures are not obvious when you listen to the music without knowing how to analyze it. Yet he may have found certain magical hypnotic? That is, if you further classify his melodies according to the moods they evoke, it is found that he always arranged the moods in the same order. Almost certainly, there must be more, but no one has yet put a finger on it, not even the great composers themselves — at least, as far as they have told us.
Thus it appears that the only thing we mortals can do is to keep digging. However, elements of this formula were well known among composers. Thus Mozart is not the inventor of this formula and similar formulas were used widely by composers of his time. In fact a large fraction of all compositions is based on repetitions.
Therefore, Mozart simply exploited a fairly universal property of music. There is little doubt that a strong interplay exists between music and genius.
The music doubtless contributed to his brain development.
Today, we are just beginning to understand some of the secrets of how the brain works. For example, until recently, we had it partly wrong when we thought that certain populations of mentally handicapped people had unusual musical talent. It turns out that music has a powerful effect on the actual functioning of the brain and its motor control.
This is one of the reasons why we always use music when dancing or exercising. It was discovered that when this procedure is set to the proper music, these patients can often dress themselves! Thus mentally handicapped people who are extremely clumsy when performing daily chores can suddenly sit down and play the piano if the music is the right type that stimulates their brain. Therefore, they may not be musically talented; instead, it is the music that is giving them new capabilities.
It is not only music that has these magical effects on the brain, as evidenced by savants who can memorize incredible amounts of information or carry out mathematical feats normal folks cannot perform. There is a more basic internal rhythm in the brain that music happens to excite. Therefore, these savants may not be talented but are using some of the methods of this book, such as mental play.
Just as good memorizers have brains that are automatically memorizing everything they encounter, some savants may be repeating music or mathematical thoughts in their heads all the time, which would explain why they cannot perform ordinary chores — because their brains are already preoccupied with something else.
However, when Leigh contacts Hope for some assistance, they must put their past behind them and focus on the task at hand.
Mozart was a member of the Freemasons and to celebrate that he penned a famous opera, The Magic Flute. The competent historian or active Mason would be able to see some of the strong connections to this secret society. Oliver seemed to be positing that Mozart might have been killed by a splinter group, long since extinct. His daughter is briefly taken and his superior takes a sudden retirement, hinting that there might be some things best left alone. When a video lands in their laps, Hope and Leigh begin to wonder if the Order of Ra is alive and well, committing ritualistic murders.
Oliver seems to have captured one of these before he was caught and potentially killed to keep him quiet.
In a race to find out the truth behind the deaths of both Oliver and Mozart, the Order is hot on their heels. Kinski begins to work with Hope and Leigh, helping to protect the opera star and his own daughter while the Order remains active. Electrifying and fast-paced, Mariani knows how to pull the reader in with breadcrumbs and lead them around the world on this historical mystery. I will admit that I am quite intrigued by the Ben Hope series, with all its undertones and subplots that fill the pages of the pieces I have discovered to date.
Mariani imbues much that the reader can enjoy while not getting too caught up in the minutiae of the historical record.
I do hope that these building blocks turn out to be poignant as the series continues. At present, Hope remains the only constant character, but that might change, forcing the reader to pick up much of the description offered to the other characters in the book.